Dakota Johnson is on the cover of February's Vogue Magazine. Here's what she had to say in the accompanying interview:
“I’ve been in a phase of my life where I’m fascinated by young women coming to terms with their sexuality. I guess, by proxy, I have been experiencing that in my own life, and it’s very interesting to me.”
On her 50 Shades character Anastasia Steele:
“This woman is a badass. She’s hyperintelligent and hypersexual and very tough and very loving, and her character has so many different aspects that don’t normally make sense in one person. I tried to amplify them all.”
On BDSM and sexual repression:
“First of all, there are some very chic avenues in BDSM. It can be very beautiful and tasteful, and the materials can be luxurious. It’s not like being on Hollywood Boulevard and walking by a ball-gag store. But what I admire is the bravery and the honesty of people who get down with it, who aren’t afraid to say that they need something a bit more in order to get off. America is still so sexually oppressed. Isn’t God’s gift to humans the orgasm? Here’s a fun fact: A woman has the same number of nerve endings in her clitoris as a man does in his entire penis.”
On relationships:
“Shit happens. I think I’m a little bit heartbroken all the time, even when I’m in a happy relationship. I don’t do casual very well, and my feelings, even the good ones, get so intense that they hurt. Can we make things really juicy? Can we say that I’m taking this time to explore my bisexuality? Or that I have given myself to the Lord following the release of my sexually explicit trifecta of films?”
On how she chooses roles:
“It feels like we’re not making this (Suspiria) for anyone but ourselves, which is how I would like to feel all the time when I make films. I know that’s not going to happen, but the thing about Fifty Shades is that even if it’s commercial and mainstream, the subject matter isn’t. In that way I can do something mass but stay true to my weird interests The stories I want to tell, the characters I want to play, don’t typically exist in huge, commercial box-office movies. But this is a business.”
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